Sarah Sze's installation
Elaborate works always fascinate me in a brink. That's how the post about Sarah Sze in
Re-title.com caught my attention. This emerging New York-based artist has her new installation being exhibited in
Marianne Boesky Gallery in New York till 1 July.
"Even the details in Sarah Sze's sculptures have details. All her installations are extraordinarily ambitious and are constructed with fastidious precision." (from NGV International)
Another perspective in relation to the technological development which, I suggest, could be further extended to become a more critical statement:
"Sze's sculptures are flowing structures consisting of a conglomeration of small-scale household items that respond to and infiltrate the surrounding architecture. Like the information flow of the World Wide Web, her compositional language takes form by successively linking small bits of discrete information into a complex network." (from Carnegie International)
Using more or less a similar pool of collected material including mainly the miscellany of everyday life, her
earlier works seems to be more on the side of illustrative, or "formal" in
CCS Museum's term. In comparison, the abstract setting:
"an angled plane carves through the entire room, traced in tethered lines. Objects hover on the lines and on the floor below, gaining density as they approach the plane’s point of origin, in a distant corner of the room" (quoted from retitle.com)
and a comparatively organic arrangement of objects creates a more interesting inter-textual reading and free-associating space, with a unique visual texture.
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