language the figurines speak
A couple of works of brothersfree could be good cases to demonstrate how creative industries become possible for artists to strategise the market for cultural good. The three still talk about their heart and have an ideal picture in there at least.
Lin Ke Huan the dramaturg mentions in a.m.post also that the new generation of artists have to understand the market besides their solitary creativity. He raises Zuni's cross-regional collaboration as an example.
And tonight, when Michael the protagonist in Queershow talks about different kinds of romantic feelings, in its gimmicky gesture (unfortunately there are more gimmicks than criticism in this case), it's repeating to me: Think about the vehicle (media), and redefine it with your content. That's profoundness-by-superficiality (深入淺出), I think. Cut the big words.
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